Wednesday, August 3, 2011

Pilgrim and Indian Drawing

This was fun. I was asked to draw this illustration for a direct mail client. As always I start with a loose drawing and build on top of that. They wanted it relatively simple and able to convert to two colors as well. I can't say the name of the client but you may see it in your mail this year sometime closer to Thanksgiving. : )


Saturday, May 14, 2011

Illustration Friday: Beginner

What can be more fun than watching baby take his first steps? They are so fun to watch when they go from a crawl to a wobbly walk. Of course when they learn to run, well, that's another story. : )

Friday, April 29, 2011

Illustration Friday - Lesson

I created this a while ago but thought it was appropriate for this week's word.

Tuesday, April 12, 2011

Illustration Friday: Bottled

Baby decided to grab a fistful of cookies from the cookie jar, only this one is really a large bottle. He started crying because he couldn't figure out why his hand was stuck.
Aren't we all a little like that? lol

Monday, April 4, 2011

Will You Illustrate My Book?

As an illustrator it's not uncommon to get requests from writers wanting me to illustrate their book. So, I thought I'd post an article that addresses this question.
Usually the question might go something like this: "I've written a children's book and would like it illustrated. Can you do this?"

I find myself wanting to say "Yes, of course I can! I'd love to!" Nothing's more flattering than having someone ask you to illustrate their book. However, the reality is that most self publishers are unaware of the work and time involved and usually have a budget that wouldn't even provide minimum wage. And often, due to lack of understanding of the process, will even ask for the rights or automatically assume agreement includes the original artwork as well. More often than not, after much explanation, both parties end up disappointed. So, here's a brief overview of the typical process.

Typical Book Development

The proper process of developing a children's book involves several stages. Depending on many factors, each stage can take several months. The publisher typically will edit and make adjustments throughout the course of the project and prior to finished artwork (hopefully). The artist has to remain flexible and have a good understanding of what the vision of the author (or publisher) is. (I will use author and publisher interchangeably as it depends on the contractual agreement or whether the author is also the publisher.)

Initially, the artist is given a manuscript of the story to look at. Children's books are simple enough to read through but more involved and lengthy stories may or may not require the artist to read the entire story. In that case only an outline is needed.
Upon discussion with the author or publisher, notes are taken and the artist will create a storyboard. Sometimes the publisher will require a storyboard along with the manuscript upon submission. The storyboard is a crucial stage as it determines how the text will flow as well.

Once the storyboard is approved the next stage is Character development which involves drawing each character in various positions and angles. Remember the artist has to tap into the author's vision, which is not always an easy task.

Next comes the comps or finished artwork, depending on how the other stages went. The medium and style is generally chosen from the start based on the artist's portfolio. Since digital artwork requires computer and a technical level of skill it often commands a higher price tag especially with vector art.

In standard publishing once the book is designed, printed and bound it goes into circulation, distribution and marketing. It has to compete with thousands of other wonderful books! This can be a daunting task for even the most determined self publisher!

Most professional artists will not work with self publishers due to the reasons given above. It is not feasible to accept or consider a "speculative" offer for any professional. A speculative offer is one that says "'IF' it sells, or 'IF' I like it, or 'IF' it gets published, you'll get..." Frequently I'll hear "...no pay but you'll get credit". I'm surprised at the number of requests that illustrators get like this. What beginning writers don't realize is that a promise based on "IF" is of no benefit to the artist. Eager students may jump at the opportunity only to abandon the project as the realization of the time involved kicks in and the writer realizes the work is below substandard to their liking.

Experienced artists will never accept such an offer and will require a contract with the terms of the agreement spelled out in writing. Also, an artist is chosen by his or her style. It's never a good idea to try and get an artist to draw like someone else. That will just lead to frustration on both sides.

Conclusion

Be aware of so-called "publishers" that charge you a fee of any kind. Those that do are really printers offering some graphic services and maybe an online presence, but they do not market your book. Legitimate publishing of a book is more precise than that and they don't accept just anybody. They invest in your book, handle all the marketing and work with distributing. If you plan to publish yourself be prepared to spend thousands of dollars.

In conclusion, I'd encourage any beginning writer who wants to self publish a children's book to really study, and learn the ropes and understand the costs and time involved. There are many good books out there about self-publishing and submitting to publishers like "The Writer's Market" and the "The Children's Writer's Market" are just a couple. Those books will provide valuable information and increase his/her chances for success. There's a ton of resources available at the local library as well.

If a writer chooses to go with a publisher and doesn't get accepted the first few times he should not get discouraged, but rather take time to re-evaluate the story, and the market, revise and try again. Some of the best stories came from writers that were turned down time and time again only to be published years later, like "The Wizard of Oz" by L. Frank Baum ,"Gone With the Wind" by Margaret Mitchell, and "A Wrinkle in Time" by Madeleine L'Engle.

Also, realize that it is the publisher that choses the artist not the writer. It's their job to know what sells, what style works with what story, etc. So, leave that up to them.
However, if they require you to have a storyboard I can definitely help you with that.
A good story, knowledge and determination is the key!

Wednesday, March 30, 2011

Illustration Friday- Toy

The first thing I thought of was my dog and his favorite toy...his ball. The first thing he does when I step outside is stare at me with his ball waiting for me to throw it for him. He's lost so many balls. And this one is almost too big for his mouth but he manages to still fetch with it.

Monday, March 21, 2011

Illustration Friday: Cultivate

I thought of Spring waking up with this word as the birds and bugs cultivate the ground.
I decided to use watercolor for this project since it's been a long time since I've used the medium.

Saturday, March 5, 2011

Illustration Friday : Warning

I have a cat that just doesn't like to be kissed. Whenever I look at him with that "I'm about to kiss you look" he looks back at me with a "Oh no! Here it comes!" look. So, I'll pick him up to give him a kiss and he'll push my face away. Needless-to-say, he always loses.
So, you could say that my "look" is a warning for him to prepare. lol

Monday, February 28, 2011

Illustration Friday. The word is "Swarm"

For Illustration Friday we were to come up with an illustration for the word "Swarm". I know it's not an original thought but all I could think of was bees; hence the bear and the bees. : )

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